“The Harmony of Culture”

In ancient China, music was more than an art form; it was a medium for cultural harmony and a reflection of the state’s moral fabric. The story of the notable figures like Zhao Ding, Gong De, and Wang Bao encapsulates this profound connection between music, governance, and cultural dissemination.

During the reign of Emperor Xuan, Zhao Ding from Bohai and Gong De from Liang were summoned for their exceptional musical talents. These men were appointed as court musicians, symbolizing the emperor’s recognition of their abilities. Their presence in the court was not merely for entertainment but served a higher purpose of promoting ethical and cultural values.

In the southwestern region of Yizhou, Governor Wang Xiang was keen on promoting cultural enlightenment among the populace. Upon hearing of Wang Bao’s literary talent, he requested a meeting and commissioned Bao to compose poems such as “Zhong He,” “Yue Zhi,” and “Xuan Bu.” These compositions were then taught to selected individuals to be sung in the style of “Lu Ming,” a classical tune. Among those chosen to sing was He Wu, a young scholar from the rural region of Sixiang. The group of singers, including He Wu, practiced diligently and performed these songs in the imperial academy in Chang’an, which eventually caught the attention of Emperor Xuan.

Impressed by their performance, Emperor Xuan rewarded them generously and expressed his admiration, stating, “This is a matter of great virtue; how can I alone bear such honor?” Wang Bao’s talent was not limited to poetry; he also composed eulogies for officials like the governor. His remarkable abilities soon led to his recommendation for imperial service.

Upon his arrival at the court, Wang Bao was tasked with composing a eulogy for the emperor, highlighting the relationship between a wise ruler and his capable ministers. Bao humbly remarked on his own limitations, emphasizing that he grew up in a remote and humble environment, lacking broad knowledge and experience. Despite this, he expressed his gratitude and eagerness to fulfill the emperor’s request, drawing on ancient wisdom to craft his response.

Bao’s eloquent writings conveyed the essence of effective governance. He illustrated how the harmonious relationship between a ruler and his ministers could lead to a flourishing state. Bao compared this synergy to the use of finely crafted tools by skilled artisans, resulting in efficient and exceptional outcomes. He emphasized that just as a talented craftsman achieves remarkable results with proper tools, a wise ruler attains greatness through the support of capable ministers.

Bao’s analogy extended to various aspects of life, such as the use of appropriate attire to adapt to different seasons and the harmonious relationship between humans and horses in transportation. He argued that just as these elements require compatibility to function smoothly, so does the relationship between a ruler and his ministers for effective governance. Bao cited historical examples, such as the diligent efforts of Zhou Gong and the successful reforms of Qi Huan, to illustrate how past sages achieved greatness by seeking and employing talented individuals.

Wang Bao’s philosophy highlighted the importance of recognizing and nurturing talent. He pointed out that in times of peace and prosperity, wise rulers actively sought out and encouraged capable individuals to contribute to the state’s welfare. Conversely, in times of turmoil, the absence of such efforts led to decline and strife. Bao urged the emperor to continue this tradition of valuing and cultivating talent, ensuring the state’s enduring prosperity.

Emperor Xuan, who had a fascination with immortality and the supernatural, appreciated Bao’s wisdom and appointed him alongside other scholars. Bao often accompanied the emperor on hunting trips, composing songs and eulogies to celebrate their experiences. Despite some criticism from contemporaries who viewed these activities as frivolous, the emperor defended their value, likening them to the strategic games of chess that, while seemingly trivial, had deeper significance.

Bao’s dedication and talent eventually earned him the position of advisor. He was entrusted with the responsibility of attending to the crown prince, who was suffering from a debilitating condition. Bao and his colleagues read and recited profound texts to the prince, aiding in his recovery. The prince was particularly fond of Bao’s compositions, such as “Gan Quan” and “Dong Xiao,” and had them recited by the court ladies.

Unfortunately, Wang Bao’s promising career was cut short when he fell ill and died on a mission to perform rituals in Yizhou. Emperor Xuan mourned his loss deeply, recognizing Bao’s invaluable contributions to the court and the state.

The story of Wang Bao and his contemporaries exemplifies the timeless principle that a ruler’s success is closely tied to the wisdom and talents of their ministers. Bao’s writings, filled with cultural insights and historical references, continue to resonate as a testament to the enduring value of harmony between leadership and talent in fostering a prosperous and enlightened society.